Referring to your tracks as ‘love letters’ might well appear twee to the uninitiated, but Norway’s Celiin couldn’t be less twee if she tried. Since emerging in 2019 with her debut single ‘Leonardo’, and the first of her First of the Love Letters Trilogy, Celiin has made a name for herself crafting exquisitely understated alt-pop offerings that bridge the gap between romance and depression. The latest of which, ‘Marylin’ not only concludes the trilogy, but also finds Celiin at her darkest and most primal.
This review was originally written for When the Horn Blows. Click here to read in full.
No comments:
Post a Comment