When Ontario indie-poppers Dizzy released their debut album 'Baby Teeth' in 2018, it blew me away. No mean feat for a record as inherently understated as that was. Hinged on the flippant nuances of teenage emotions, backdropped by a blanket of icy electronics and optimistic indie-pop, it was a record fraught with the feelings of adolescence, yet executed with an effortlessness that far belied the band’s young years.
This review was originally written for Clash Magazine. Click here to read in full.
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