Anyone familiar with Manchester’s iconic Deaf Institute, either as a venue or just a bar, will probably be aware that the building’s second floor is where its shows take place. An old theatre with limited seating and a large disco ball, it’s one of the city’s most characterful venues, and any show there is usually worth going just to see the venue in itself.
Tuesday, 2 October 2018
Songs for Walter, otherwise known as Manchester-based songwriter Laurie Hulme, is rapidly becoming one of the city’s unsung heroes thanks to his seemingly whimsical, but often deeply touching brand of folk-pop.
Bridging the gap between punk and indie-pop, Muncie Girls straddle the same fine line as bands such as Diet Cig, Trust Fund and The Spook School, creating effervescent indie-pop that harbours DIY ideals and a punk attitude.
This review was originally written for DIY Magazine. Click here to read in full.
Bringing together elements from a multitude of genres, Bad Sounds have rapidly carved a niche of their own, resulting in a record that’s deliciously unpredictable and varied. Founding members and brothers Ewan and Callum Merrett have previously dipped their toe into different musical worlds; the former was a hip hop producer, the latter, a studio engineer with a penchant for artists as diverse as Michael Jackson and The Flaming Lips. It’s this combination of hip-hop swagger and soul-tinged pop polish that forms the backbone of the album, and indeed many of the tracks themselves.
Though Alkaline Trio are certainly a band who need little introduction, the past decade has seen them release a triptych of records that tried to recapture the jaded angst of their early years, yet unfortunately fell short of the mark. This, coupled with frontman Matt Skiba replacing Tom Delonge in Blink 182 back in 2015, suggested the future of Alkaline Trio looked uncertain at best.
Wednesday, 15 August 2018
Taking its name from an 18th century hymn, and the song that was allegedly played as the Titanic sunk, Nearer My God is the third album from St Louis four-piece Foxing, and, much like its name suggests, is a record that wrestles with concepts such as religion, as well as politics, mental health and the mounting sense of cynical indifference that seems to be proliferating currently.
Despite coming quickly off the back of last year’s ‘All These Countless Nights’, ‘Rituals’ shares little similarity with its predecessor. Instead, it forgoes the Springsteen stylings of Deaf Havana’s last two releases, and relishes in pop pomp.