Post-punk – a literally named genre if ever there was one – pretty much epitomised alternative music in the 1980s, whilst mirroring the disaffection felt by the working class British public under Thatcherism. As such, it was a logical progression for those who saw through the punk’s gimmicky exterior and often laughable political ideologies, whilst bringing the music they spent their teens listening to in to a more contemporary (at the time) setting, channelling their angst and tired indifference in to a genre of music that’s ultimately far more introverted and much more claustrophobic than it’s safety-pinned predecessor.
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