When The Joy Formidable released The Big Roar back in 2011, it was a record that lived up to its name. Huge walls of noise mixed effortlessly with pop sensibilities to make an album that was quite literally made for the arenas and festival stages it inevitably took them to. Its follow up, 2013’s Wolf’s Law, felt similar. Backed this time with a larger budget, the band’s music palette grew along with their ambitions, resulting in a record of monolithic, if not more polished, proportions.
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