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Showing posts with label twee. Show all posts
Showing posts with label twee. Show all posts

Friday, 6 June 2014

#298: The Pains of Being Pure At Heart - Days of Abandon


Label: Fierce Panda
Release: June 2
Rating: 7/10

New York's The Pains of Being Pure At Heart, have, for seven years now, been breathing new life in to a genre many consider archaic; their upbeat, emotionally loaded indie-pop - a welcome contrast to the overtly masculine indie that's currently reigning supreme. Indeed, where once indie-pop was a product of Britain (and arguably the NME's greatest contribution to music), the ball has since been picked up by America, causing those of us with a slightly softer disposition to look across the Atlantic to get our fill of heart-on-the-sleeve jangles.

Monday, 14 April 2014

#278: Doe - Sooner (EP review)



Doe

Sooner

March 28 2014 (Keroleen Records)

9/10

For a band who have only been together little over a year, London three-piece Doe have recorded and released an impressive amount of material. Bringing in the New Year off the back of a handful of well-received releases, the trio's blend of stripped-back punk and lite-twee has quickly gathered momentum, the overall package tied off neatly by a sugary female vocal. Sweet as it is, however, it is not without a certain degree of bite, furthering the band's DIY approach, and giving extra weight to their punk credentials.

Saturday, 12 October 2013

#180: Introducing...Elastic Sleep


The 1990s was a brilliant time for music with many genres coming in to their own or starting, particularly through the decade's first few years. Of course, grunge found itself at the forefront of the world's attention, whilst smaller genres snuck in behind it. Two such genres were shoegaze, and twee-pop, who both found their footing during the decade and were popularised by band's such as My Bloody Valentine and Heavenly respectively. And whilst both genres are still enjoying relative popularity, at least within their individual scenes, it goes without saying that an amalgamation of the two would inevitably occur, giving birth to dream-pop, a genre taking the laid back almost lazy vocals of twee and fusing them with the less abrasive but no less encompassing instrumentation of shoegaze.

Even though dream-pop isn't exactly enjoying the same amount of popularity of as other genres at the moment, there's still a fair amount of artists, both signed and otherwise, creating the same kind of sonic texturing that transcends your usual alternative rock. One such band, Cork's Elastic Sleep, are more than embracing the genre's lo-fi tendencies, they've absorbed themselves in them.

'Anywhere', the one, tantalising track that the band have uploaded is a perfect example of what makes the genre so irresistible. Ephemeral, breathy vocals perpetuate the hook line “You could be anywhere” throughout the course of the tracks 2 and a quarter minutes; the vocal simplicity is it's beauty and the use of a female vocalist keeps it feeling genuine, there's just something about the timbre of a female vocal that lends itself to the genre so willingly and can probably be attributed to the twee influences that bleed through in to every dream-pop band.

Whilst the vocals are understated and simple, the music on which the vocals paint is far from it. A turbulent canvas of sonic evisceration, the juxtaposition of vocal and instrumentation is as blatant as it could be jarring, should one go in to this not knowing what to expect. It's exciting whilst verging on the violent, all the while at the same time being melodic and inviting, like the metaphorical carrot dangling from a stick, 'Anywhere' leaves us clamouring for more. It's obvious that Elastic Sleep are a band with raw, untapped talent. This, when coupled with their understanding of musical composition makes for fantastic listening and gives one a feeling that this is just the tip of the iceberg, a brief introduction to the band and their idiosyncrasies before they show what their really capable of.






Friday, 11 October 2013

#179: Cults - Static


Cults

Static

October 14 2013 (Columbia)

7.5/10



Despite being recorded amidst the throes of a romantic break-up between Madeline Follin and Brian Oblivion, the forthcoming album 'Static' from New York duo Cults lacks any of the underlying bitterness expected from an album that's the product of a parting of ways. Indeed, rather than air their own personal grievances, the duo have opted to make a record that, like it's predecessor, is sweet, sugary and encased in a veneer of silky smooth production. However, whilst 2011's self-titled début was full of twee pop twinkles and xylophone fills, 'Static' offers a far less saccharine listening experience, as Follin's trademark sweetness is offset by a more mature undercurrent, particularly on the latter half of the record.


This review was originally written for Little Indie Blogs. Click here to read in full.