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Showing posts with label London. Show all posts
Showing posts with label London. Show all posts

Monday, 26 May 2014

#294: BIRD - My Fear and Me



BIRD

My Fear and Me

May 26 2014 (Baltic Records)

9/10


As the brooding first notes of opening track 'Ghost' begin to wash over you, it's immediately obvious what kind of album this is going to be: Dark, ominous, poetic, beautiful, the sombre imagery a stark contrast to much of the other bands on offer at the moment. Think London Grammar by way of Savages and with little in the way of either band's often overt intensity, and you'll be fairly close to Merseyside's BIRD.

Monday, 13 January 2014

#234: The Bedroom Hour - Themes (EP review)


The Bedroom Hour

Themes

May 17, 2014 (self-release)

8/10

So often these days, when a band finds itself surrounded by a buzz, they rush to release their first EP, or even album, eager to appease hungry press and even hungrier record labels. There are those bands, however, that rather than bay to the obvious pressures they're under, choose not to rush out their material in hopes of being the 'Next Big Thing', but rather wait, hone their trade, cut their teeth, however you want to phrase it, and the fact of the matter is that most bands benefit from their patience far more than those who would rather ride the hype train.

One such band, it seems, are London-based five-piece The Bedroom Hour who, despite having been a band for quite some time now, are set to release their debut EP Themes, on May 17th. Having been following this band for around a year now it's clear that, as the buzz around them has grown, their ambitions and their energy have grown with it. With a steady stream of tracks making their way on to the band's social media pages, each track feeling more accomplished than the last, it was only a matter of time before the inevitable first EP; and it's an EP that sets the bar inordinately high.

Beginning with 'Shadow Boxer', it's clear that the time that the band has spent honing their skills hasn't been in vain. Huge U2-inspired verses suggests an overt penchant for anthemics, whilst an understated bass suggests a firm understanding of spacial awareness within their music that belies the band's relatively young age.

Coming during the latter half of the record, 'Midnight Game' is a particular highlight, and one which brings to mind current Manchester buzz band MONEY. Slow and impactive, and packing far more candour than your average indie band is capable of, 'Midnight Game' once again suggests a maturity within the band, something which is further cemented by closing track 'Slow Motion Cinema' and the almost-tangible emotion that goes with it.


It's rare for a band such as The Bedroom Hour to exhibit the kind of musical maturity that they do, but their savviness towards the industry, and their almost endless supply of patience has enabled them to create one of the strongest début releases I've ever heard. From the rousing vocal harmonies to the elegant guitar work, nothing featured on Themes seems out of place or forced, and it's this kind of release that will surely get those who have had their head buried in the sand for the last 12 months, well and truly excited.

This review was written originally for Listen Up Manchester. Click here to check out their site.

Wednesday, 8 January 2014

#229: Cat Bear Tree to Host Single Launch Party - Feb 1st



Cat Bear Tree to host launch party for new single
‘Spaces In Between’ on 1st February 2014 


To celebrate the release of their first single ‘Spaces In Between’, 
Cat Bear Tree will be hosting a FREE entry night featuring some of 
their favourite grrrl-filled acts from around the country, on Saturday 
1st February at The Finsbury in North London. 


Veering somewhere between DIY punk and indie-pop, South East London export
Cat Bear Tree pull varied influence from the likes of Sleater-Kinney, Bloc Party, Bikini Kill and 
Electrelane. Writing and recording together since 2011, Zoe Konez (Guitar and Vocals),
Claudia Mansaray (Bass and Vocals) and Sarah Smith (Drums and Vocals) have been busy 
building a dedicated following, whilst cementing their place in the list of new generation, 
all-female bands to look out for. 

Drawn together by their shared love and passion for music; this intriguing band has built up a 
reputation for being one of the most exciting live bands of the moment and have won the hearts 
of tastemakers at the likes of Amazing Radio and BBC 6Music. Their no-nonsense raw live 
shows are bursting with energy, showcasing an intriguing layer cake of breathtaking three-part 
vocal harmonies, post punk flavoured musicianship and evident chemistry between band 

Friday, 25 October 2013

#189: Lay It On The Line - Vigilance (EP review)


London’s hardcore punks Lay It On The Line are a band with an impressive amount of releases under their belt given their short time as a band; undoubtedly something that can be attributed to the DIY aesthetic that goes hand in hand with hardcore, and the energy and work ethic it brings with it; ‘Vigilance’, the forth release from the band, is a perfect example of how hardcore should be: intense, brutal, militant and emphatic.

This review was originally written for Punktastic. Click here to read in full.

Sunday, 29 September 2013

#170: Yuck - Glow and Behold



Yuck

Glow & Behold

September 30 2013 (Fat Possum)

6.5/10

Back in April when Yuck frontman Daniel Blumberg announced he was leaving to focus on solo material, those left in the band were adamant that it wasn't the end, announcing their second album on the same day as Blumberg's departure. True to their word, and with guitarist and ex-Cajun Dance Party bandmate Max Bloom stepping in to the role of frontman, Yuck are set to release their second album 'Glow and Behold' on 30th September and while it's certainly a consistent album, it lacks any of the youthful scuzz that endeared it's self-titled predecessor to fans and critics alike.




This article was orignally written for Little Indie Blogs. Click here to read the review in full.